• Macdonald, A (forthcoming Jan 2024) Reasonable Adjustments: Movements of Care in Art for the Sake of Care: Special Issue International Journal of Education and the Arts.

  • Macdonald, A (2024) Keeping in time: Mastery, as a condition of colonial and patriarchal discourse, and the temporality of screendance. In LO:TECH:POP:CULT : Screendance Remixe. London: Routledge.

  • Macdonald, A (2022) The Milky Way’, by The Women’s Art Activation System (The WAAS). Social Works: Journal of Social Practice Art. Iss 3. Winter.

  • Macdonald, A (2022) Liquid Body, Mov en Mov 2022 online magazine

  • Jacob, M., Macdonald, A. (2021) Moving from law: documents, dance and stubborn materials. Talking Humanities Blog, School of Advanced Studies. https://talkinghumanities.blogs.sas.ac.uk/

  • Macdonald, A. (2020) Witness: a response to Marlene Millar's Witness. The International Journal of Screendance, 11.

  • Jacob, M., Macdonald, A. (2019) A Change of heart: Retraction and the body. Law Text Culture (special issue entitled Legal materiality)

  • Macdonald, A (2019) Acts of Holding: Dance, Time and Loss. PhD by publication, Manchester Metropolitan University

  • Macdonald, A (2018). Touch Consolation and Loss in This is for You. 
Journal of Dance and Somatic Studies, 9.2

  • Macdonald, A (2017). Going nowhere: Screendance and the act of dying. International Journal Screendance. 8.

  • Macdonald, A (2017). Holding and Curation. REPERTÓRIO: Teatro & Dança. pp.49-58.

  • Macdonald, A (2014). Structure, Familiarity and Endings in Hart, A (ed) Parts Per Million: An illustrated Glossary of Public Art, Central St Martins University Press, London.

  • Macdonald, A (2013). Things that start slowly, in Turner, J, Shirley, D (eds.) Performing Narrative: narration, ‘‘denarration’’, fracture, and absence in contemporary performance practice. Manchester Metropolitan University Press, UK.

  • Macdonald, A (2013). I Will Not Hope: Interview, Videofocus13, July, Stigmart Press.

  • Macdonald, A (2013). Editing I Will Not Hope, Choreographic Practices Journal 4:2.

  • Macdonald, A (2013). Things that start slowly, Body, Space & Technology Journal 11:2

Writing about my work

  • Fowler, T., Hart, A. (eds.) (2014) Parts per million. London: AIR, Central Saint Martins, University of the Arts London.

  • Hunter, V. (ed.) (2019) Scoring and Siting: Improvisatory Approaches to Site-Specific Dance-Making.

  • In Midgelow, V. L. (ed.) The Oxford Handbook of Improvisation in Dance. Oxford: Oxford University Press.